vintage paper/collage art

Thanks for all the compliments about my pretty little fairy baby at the Renfest!  I have to agree, she's a cutey.

We had her most of the holiday weekend, along with my mother-in-law here for a few days from Green River, WY.  Chasing Sugarwings kept me busy most of the time, but after she left, I had a day to spend with my husband's mother. She sat at the dining table and embroidered and at first I was up and down doing little chores here and there, and tidying up the place (after Hurricane Sugarwings has blown through, there is a lot of picking up to do).

But I did spend a bit of time sitting at the table and the more I sat, the more I stared at the buffet and the painting above it.  The buffet had been maple finish and I painted it gray with a cream glaze over it last spring.  And the picture was one that I have loved for years but always thought about lightening up.

For the last few years, EVERYONE told me not to paint it.  And I rarely leave things as is, but I knew that this frame was worth money the way it was.

But honestly, was I ever going to sell it? No, I've had it for a long time and always plan on keeping it. I figure that I deserve to look at it and enjoy it, without debating whether or not it should be painted.

I know, there will be gasps of horror. But I'm glad I did it.  And I didn't just slap some white on it, I took my time and made the frame look old. Well, "took my time" is all relative, I guess. I paint fast, I had the buffet, the small mirror frame, and the large, antique frame done in about 3 hours while I chatted with my mother-in-law. 

Here is what I did:

1. Primer, good bonding primer.  I just tucked some wax paper behind the frame and painted it on the wall right where it hung. The wax paper protected the wall from my brush.
2. A coat of ivory/bisque eggshell paint
3. Thick coat of porcelain crackle finish (I worked on the buffet while this dried)
   
4. Next, I brushed on and wiped off coffee with cream colored glaze
5. After that dried, I lightly sanded all raised areas.   I was careful to do this lightly with a sanding sponge, because much of the ornamentation was plaster.  I wanted to get down to the gold paint, not the white plaster.
6. I added another layer of crackle glaze.
7. As the crackle glaze dried, it had a chemical reaction with the exposed gold paint and turned a greenish tint, like a copper patina. (this is a trick I discovered accidentally a while back and love to use. Its unpredictable but pretty)
   
8. Over this, I  brushed on and rubbed off an ivory glaze and a sepia glaze, randomly putting them over the frame, some over lapping, some spots one color, some spots no glaze.
9. After it all dried, it was a little too green, so I dry brushed the ivory/bisque colored base paint over the areas that were too vivid.
10. Then a little more sanding to bring out the dark wood and more of the gold paint underneath.

This was a lot of steps, but I think they paid off, the frame looks like it was out in someone's shed being stored away for years.

The main trick is to not be too perfect.  Nature doesn't age things perfectly.  Sometimes the trick to a good faux finish is to be messy.

I did NOT cover this with clear coat. If I had, there might have been another chemical reaction with the newly sanded spots with gold paint showing through. It would have turned more green after the clear coat dried.

The buffet got a very similar treatment, with a creamy white painted streakily over the existing gray, so the gray showed through.

Then, crackle glaze, and sepia brushed on and wiped off over the crackle, after it dried.

I used the sepia very heavy in corners and edges.

When it was all dry, I used an acrylic clear coat over the entire piece.

I love crackle.  Its tricky and unpredictable, but wow, when it comes out nice, it is really something.  Don't ever use too much, use it selectively in spots.  Not on every single inch of the piece. And feel free to add another coat or two if needed, and you're not thrilled with the first. (this only applies to porcelain crackle, weathered crackle is a different product.  Read your labels!!)

After repainting, I re-foofed the top of the buffet, using some of the projects that I made in the Romantic Gothic Ghosts class. This cone was done from Beth's images and tutorial.  I didn't have a cone handy, so I used an upside down party hat.

I'm so glad that I have the class pretties to display in my "new" dining room for fall! The moody, wistful shades (with NO orange!!) are just what this room needs to look festive and still look like "my" house- not the Halloween party store.

We are adding some little videos, giveaways, and decorating tips to the Gothic Ghost blog.  The posts will be left up as long as I have a Typepad account (and I don't see me leaving any time soon), so you can take the classes at your leisure. But if you want to win any of the prizes, those are time sensitive.  There are still three to give away.  

Often, I see the beautiful posts up for White Wednesday, but I'm never in time to enter. Well, today seems to be a good fit and timely too. So, I'll be linking with Faded Charm.

As much as I love whites, I really should make more of an effort to be a part of it regularly!!

There are so many link parties now a days… Here are more that I joined.  I usually don't get around to it, but they are always fun when I do!

Power of Paint

Transformation Thursday